Canon redefines the future of photography:
21.1 MP EOS 5D Mark II offers Full HD video capture
mstelveen, The Netherlands, 17 September 2008: Canon announces the full frame, 21.1 Megapixel EOS 5D Mark II: the first EOS with full High Definition video capability.
Compact, lightweight with environmental protection, EOS 5D successor boasts a newly designed Canon CMOS sensor, with ISO sensitivity up to 25,600 for shooting in near dark conditions. The new DIGIC 4 processor combines with the improved CMOS sensor to deliver medium format territory image quality at 3.9 frames per second, for up to 310 frames.
Triggered from Live View Mode, HD video capture allows users to shoot uninterrupted at full 1080 resolution at 30fps – for amazing quality footage with outstanding levels of detail and realism.
The integration of HD movie capability into a high-end 21.1 Megapixel camera opens a multitude of new possibilities for photojournalists and news photographers. With its full frame CMOS sensor and outstanding ISO performance, the EOS 5D Mark II will appeal to any photographer in search of the finest camera equipment available – from studio and wedding to nature and travel photographers.
Other improvements to the EOS 5D include
- Addition of Canon’s EOS Integrated Cleaning System, with a new Fluorine coating on the low-pass filter
- Larger 3.0” Clear View LCD with VGA resolution, a 170° angle of view and anti-reflective coatings
- Improved menu system including Quick Control Screen for more direct access to common settings
- Automatic peripheral illumination correction, utilising detailed EF lens information to optimise JPEG images straight out of the camera
- Magnesium alloy construction with additional environmental protection
- UDMA memory card compatibility.
“Professional photojournalists and wedding photographers already choose the EOS 5D for its discrete size and outstanding image quality,” said Mogens Jensen, head of Canon Consumer Imaging. “The addition of HD movie recording opens a new chapter for EOS. It creates new possibilities for EOS photographers to capture and share their stories and to stay relevant in a rapidly changing digital landscape.”
Key Specifications:
- New 21.1 Megapixel CMOS sensor with improved EOS Integrated Cleaning System (E.I.C.S.)
- New Full HD 1080 resolution movie recording
- 3.9 frames per second continuous shooting
- High performance DIGIC 4 providing superb image quality
- Maximum 310 large JPEG images in a single burst with a UDMA card
- 3.0” VGA (920k dots) Clear View LCD
- ISO 100-6400 (expansion from 50 up to 25,600)
- 9 AF points + 6 Assist AF points
Additional information
New CMOS sensor
The EOS 5D Mark II’s newly designed full frame 21.1 Megapixel CMOS sensor features ISO sensitivity from 100-6400, expandable to 50, 12,800 and 25,600. Large 6.4µm2 pixels have been redesigned to capture more light and yield a better signal to noise ratio to ensure lower noise images throughout the ISO range. The full frame sensor has the same dimensions as a frame of 35mm film. This means that wide-angle lenses stay wide, without the change in angle of view associated with smaller sensor cameras. As well as benefiting from finer control over depth of field, photographers moving up to the EOS 5D Mark II’s full frame format will find the newly designed wide, bright 98% coverage viewfinder on a joy to work with.
New DIGIC 4 processor
A new DIGIC 4 processor combined with 14-bit analogue to digital conversion provides smooth gradations in mono-tonal areas such as skies, and highly accurate colour rendition. As well as HD movie shooting, DIGIC 4’s high speed provides for long uninterrupted continuous bursts of large JPEGs, near-instant start-up times and immediate and fast review after shooting. DIGIC 4 also provides for improved noise reduction algorithms, complementing the already low noise images from the EOS 5D Mark II’s CMOS sensor.
HD video capture
The EOS 5D Mark II is Canon’s first D-SLR to incorporate full HD 1920x1080 video capture. Once filming is started from Live View mode, photographers can fire off either single of continuous stills, with video capture continuing after the final frame is captured.
See everything
A new 3.0” VGA resolution LCD provides a wide 170º angle-of-view, providing plenty of clarity for accurate focus checks in playback. The screen brightness can automatically adjust to suit viewing conditions, extending battery life in low light and improving viewing in bright conditions. A new dedicated Live View button switches modes to display a real-time image on the LCD. This allows EOS 5D Mark II photographers to enjoy simplified shooting from awkward angles. Simple connection to a PC provides easy remote shooting.
Precision focus and metering
A 9-point auto focus system is supported by 6 additional invisible Assist AF points, located inside the spot-metering circle to optimise subject tracking performance in AI SERVO AF mode. For accurate exposure readings in tricky lighting conditions, the spot metering circle covers just 3.5% of the frame.
Control
The EOS 5D Mark II’s redesigned menu system includes a new Quick Control screen, for instant access to the most commonly changed settings. A new Creative Auto mode allows photographers to cede control of key settings to the camera, while retaining control over creative variables such background blur, drive mode and image brightness. Custom user settings allow photographers to switch between two completely different camera setups. This is ideal for changing quickly between two different environments, such as switching from working inside a church without flash to outdoors with fill-flash at a wedding.
Accessories
Shooting flexibility is enhanced with a range of new accessories. Shooting capacity can be extended with either the high capacity 1800mAh lithium-ion Battery Pack LP-E6, or Battery Grip BG-E6.
A new optional Wireless File Transmitter –
the WFT-E4 – offers external HDD and GPS compatibility along with ability to transmit images direct to computer or FTP server, or operate the camera wirelessly. Both the BG-E6 and WFT-E4 feature a vertical orientation shutter release and other key controls for comfortable portraiture work, with a substantial grip to help balance the camera when used with long lenses.
Technologies Explained:
CMOS
Canon’s CMOS technology is one of the company’s key competitive advantages, with noise reduction circuitry at each pixel site delivering virtually noise-free images. In comparison with CCD technology, the lower power consumption characteristics of Canon’s CMOS sensors also contribute to longer battery life.
Signal conversion in Canon’s CMOS sensors is handled by individual amplifiers at each pixel site. Unnecessary charge transfer operations are avoided, vastly speeding up the process of getting signal to the image processor. Noise generation is reduced, power consumption is limited and faster frame rate potential is increased.
DIGIC
Image data captured by the CMOS sensor is processed by Canon’s purpose-built DIGIC image processors before being written to the camera's memory card. DIGIC technology uses advanced image processing algorithms to ensure precise, natural colours, accurate white balance, and advanced noise reduction. Ultra-fast processing speeds result in highly responsive camera operation and near-instant start-up times.
DIGIC chips work with a high speed DDR-SDRAM image buffer – reading, processing, compressing and writing image data fast enough to keep the buffer clear during long continuous shooting bursts. And because DIGIC integrates all key processing functions, power consumption is kept to a minimum.
EOS Integrated Cleaning System
The EOS Integrated Cleaning System combats sensor dust in three important ways: Reduce, Repel and Remove.
- Reduce - Internal camera mechanisms are designed to minimise dust generation. The redesigned body cap prevents dust generation through wear on the cap itself.
- Repel - Anti-static technologies, including a special fluorine coating, are applied to the low-pass filter covering the front of the sensor so as not to attract dust.
- Remove - A Self-Cleaning Sensor Unit uses hi-frequency vibrations to shake dust from the infrared filter for a period of approximately one second after each start up. For instant shooting after power up, this feature is disabled immediately the shutter release is depressed.
Canon has also developed an internal Dust Delete Data system, which can map the position of visible dust on the sensor. This can then be deleted automatically after the shoot with the latest Digital Photo Professional software.
Picture Style
Picture Style pre-sets simplify in-camera control over image qualities. Picture Style pre-sets can be likened to different film types – each one offering a different colour response. Within each selectable pre-set, photographers have control over sharpness, contrast, colour tone and saturation. The camera’s factory default configuration is set to deliver immediately-usable JPEG images without need for additional menu settings. Picture Style presets applied to a RAW image can be revised with Canon’s Digital Photo Professional software.
The six pre-sets are:
- Standard – for crisp, vivid images that don’t require post-processing
- Portrait – optimises colour tone and saturation and weakens sharpening to achieve attractive skin tones
- Landscape – for punchier greens and blues with stronger sharpening to give a crisp edge to mountain, tree and building outlines
- Neutral – ideal for post-processing
- Faithful – adjusts colour to match the subject colour when shot under a colour temperature of 5200K
- Monochrome – for black and white shooting with a range of filter effects (yellow, orange, red and green) and toning effects (sepia, blue, purple and green).
Software
Digital Photo Professional Software
Digital Photo Professional software provides high speed, high quality processing of lossless RAW images. Processing with Digital Photo Professional allows real-time display and immediate application of image adjustments, giving control over RAW image variables such as white balance, dynamic range, exposure compensation, noise reduction and colour tone – plus the ability to view Auto Focus points on an image. The Lens Aberration correction tool allows precise correction of different types of distortion caused by certain cameras. Images can be recorded in camera with sRGB or Adobe RGB colour space.
Digital Photo Professional supports sRGB, Adobe RGB, ColorMatch RGB, Apple RGB and Wide Gamut RGB colour spaces. ICC (International Colour Consortium) profiles can be attached to TIFF or JPEG images when converted from RAW. This allows faithful reproduction of colours in software applications that support ICC profiles, such as Adobe Photoshop. For improved efficiency, a set of image adjustments can be saved as a recipe and applied.
EOS Utility
The latest version of EOS Utility provides essential support for Live View remote shooting, camera configuration and image transfers. Tightly integrated with Digital Photo Professional, EOS Utility can be configured to monitor ‘hot’ folders, automatically renaming and moving incoming images to a structured file system. Users can also tag their images with EXIF data, including copyright information.
Picture Style Editor
Picture Style Editor allows users to create individual Picture Styles that fit with their personal requirements. Each Picture Style contains detailed information on how specific colours should be represented within an image. Once new Picture Styles have been created, they can be uploaded directly into the camera and applied to JPEG or RAW images. When working with RAW files in DPP, both personal Picture Styles and the 6 predetermined Picture Styles can all be adjusted.
Canon EOS 5D Mark II specifications
| List price (body only) |
• US: $ 2,699 • EU: € 2,499 • UK: £ 2,299 |
|---|---|
| List price (EF 24-105 L kit) |
• US: $ 3,499 • EU: € 3,299 • UK: £ 3,049 |
| Body material | Magnesium alloy |
| Sensor * | • 36 x 24 mm CMOS sensor • Full 35 mm size frame • RGB Color Filter Array • Built-in fixed low-pass filter (with self-cleaning unit) • 22.0 million total pixels • 21.1 million effective pixels • 3:2 aspect ratio |
| Lenses | • Canon EF lens mount (does not support EF-S lenses) • No field of view crop (1.0x) |
| Dust reduction | • "EOS Integrated Cleaning System" • Self-cleaning sensor unit (filter in front of sensor vibrates at high frequency at start-up and shutdown - can be disabled) • Dust Delete Data - Data from a test shot is used to 'map' dust spots and can be later removed using Canon DPP Software |
| Image processor * | DIGIC 4 |
| A/D conversion | 14 bit |
| Image sizes (JPEG) * | • 5616 x 3744 (21.0 MP) • 4080 x 2720 (11.1 MP) • 2784 x 1856 (5.2 MP) |
| Image sizes (RAW) * | • 5616 x 3744 (21.0 MP) • 3861 x 2574 (10.0 MP) • 2784 x 1856 (5.2 MP) |
| File formats * |
• RAW (.CR2; 14-bit) |
| Auto focus | • 9-point TTL CMOS sensor • 6 "Invisible Assist AF points" • All points cross-type for lenses of F5.6 or faster • Center point additionally sensitive with lenses of F2.8 or faster • AF working range: -0.5 - 18 EV (at 23°C, ISO 100) |
| Focus modes | • One shot AF • AI Servo AF • AI Focus AF • Manual focus |
| AF micro adjustment * |
• Adjust all lenses by same amount (effectively body adjustment) |
| AF point selection | • Auto • Manual |
| Predictive AF | • As close as 8 m (with 300 mm F2.8L lens at 50 kph) |
| AF assist | No (only with external flash) |
| Metering | • TTL full aperture metering 35 zone SPC • Metering range: 1.0 - 20 EV |
| Metering modes |
• Evaluative 35 zone (linked to any AF point) |
| AE lock | • Auto: One Shot AF with evaluative metering • Manual: AE lock button |
| Exposure compensation | • +/-2.0 EV • 0.3 or 0.5 EV increments |
| Exposure bracketing | • +/- 2.0 EV • 0.3 or 0.5 EV increments |
| Sensitivity * |
• ISO 100 - 6400 |
| Shutter | • Focal-plane shutter • 150,000 exposure durability • 30 - 1/8000 sec • 0.3 or 0.5 EV increments • Flash X-Sync: 1/200 sec • Bulb |
| Aperture values | • F1.0 - F91 • 0.3 or 0.5 EV increments • Actual aperture range depends on lens used |
| White balance | • Auto • Daylight • Shade • Cloudy • Tungsten • Fluorescent • Flash • Custom • Kelvin (2500 - 10000 K in 100 K steps) |
| WB bracketing | • +/-3 levels • 3 images • Blue / Amber or Magenta / Green bias |
| WB shift | • Blue (-9) To Amber (+9) • Magenta (-9) to Green (+9) |
| Picture style | • Standard • Portrait • Landscape • Neutral • Faithful • Monochrome • User def. 1 • User def. 2 • User def. 3 |
| Custom image parameters | • Sharpness: 0 to 7 • Contrast: -4 to +4 • Saturation: -4 to +4 • Color tone: -4 to +4 • B&W filter: N, Ye, Or, R, G • B&W tone: N, S, B, P, G |
| Image processing options * |
• Highlight tone priority |
| Color space | • sRGB • Adobe RGB |
| Viewfinder * | • Eye-level pentaprism • 98% frame coverage • Magnification: 0.71x (-1 diopter with 50 mm lens at infinity) • Eyepoint: Approx. 21 mm • Interchangeable focusing screen (3 other types optional) • Dioptric adjustment: -3.0 to +1.0 diopter |
| Mirror | • Quick-return half mirror (transmission:reflection ratio 40:60) • Mirror lock-up (once or multiple exposures) |
| Viewfinder info * |
• AF information: |
| LCD monitor * | • 3.0 " TFT LCD • 920,000 pixels • Automatic 3 level brightness adjustment plus 7 manual levels • 170 ° viewing angle • Dual anti-reflection ('Clear View') |
| LCD Live view * |
• Live TTL display of scene from CMOS image sensor |
| Movie recording * |
• Available optionally during Live view mode |
| Record review | • Off • On (histogram via INFO button) • Display mode same as last used Play mode • 2 / 4 / 8 sec / Hold |
| Playback modes |
1. Single image with exposure, file number, storage slot |
| Playback features | • Optional blinking highlight alert • Optional AF point display • Magnified view (up to 10x) • 2x2 or 3x3 thumbnail index • Jump (by 1, 10, 100 images, screen, date, folder, movies, stills)* • Delete / Protect |
| Flash |
• No built-in flash unit |
| External flash | • E-TTL II auto flash with EX-series Speedlites • In-camera flash configuration (currently only 580 EX II) • Wireless multi-flash support • PC Sync |
| Shooting modes |
• Auto |
| Drive modes |
• Single |
| Burst buffer | • Large/Fine JPEG: 78 frames (310 with UDMA card) * • RAW: 13 frames * |
| Orientation sensor | Yes |
| Auto rotation | • On (recorded and LCD display) • On (recorded only) • Off |
| Custom functions * | 25 custom functions with 71 settings in 4 groups |
| Menu languages * |
• 25 Languages |
| Firmware | User upgradable |
| Portrait grip | • Optional WFT-E4 (WiFi / LAN / USB mass storage) • Optional BG-E6 battery grip |
| Connectivity * |
• USB 2.0 Hi-Speed |
| Storage * | • Compact Flash Type I or II (inc. FAT32) • Supports UDMA cards * • Copyright metatag support • Canon Original Data Security Kit supported ("Original Image Data") |
| Power * | • Lithium-Ion LP-E6 rechargeable battery (supplied & charger) • CR1616 for date & settings • Approx. 850 shots at 20°C • Battery indication 6 levels & percentage (memorized) |
| Dimensions * | 152 x 114 x 75 mm (6.0 x 4.5 x 2.9 in) |
| Weight * | • No battery: 810 g (1.8 lb) |
| Accessories |
• Viewfinder: Eyecup Eb, E-series Dioptric Adjustment Lens with Rubber Frame Eb, Eyepiece Extender EP-EX15, Focusing Screens Eg, Angle Finder C |
ISO 50 (L1)
ISO 25600 (H2)
- - 21M센서와 상용설정ISO100~6400을 실현한 초고화질 풀사이즈 CMOS센서
- DSLR 최초 Full HD 동영상 촬영 기능 탑재
- 신개발 영상 엔진 DIGIC4, 시야율 98%파인더, 92만도트 클리어뷰LCD 등 최고의 기능
| 형식 | |||
| 형태 | 디지털, 일안 반사식, AF/AE 카메라 | ||
| 기록매체 | Type I 또는 II CF 카드, UDMA 호환 | ||
| 이미지센서 크기 | 36 x 24 mm | ||
| 호환렌즈 |
캐논 EF 렌즈 (EF-S 렌즈 제외) | ||
| 렌즈 마운트 | 캐논 EF마운트 | ||
| 이미지 센서 | |||
| 형태 | CMOS센서 | ||
| 픽셀 | 약 2,110만 화소 | ||
| 가로 세로비 | 3 : 2 | ||
| 먼지 제거 기능 | 자동, 수동, 먼지 삭제 데이터 첨부 | ||
| 레코딩 시스템 | |||
| 기록형식 | 카메라 파일 시스템용 설계 규약 2.0 | ||
| 이미지 형식 |
JPEG, RAW (14bit Canon Original) | ||
| 폴더 생성/선택 | 가능 | ||
| 기록 화소수 |
Large: 약 21.00 메가픽셀 (5616 x 3744) | ||
| 이미지 프로세싱 | |||
| 픽쳐 스타일 | 표준, 인상 사진, 풍경, 뉴트럴, 충실 설정, 모노크롬, 사용자 설정 1 - 3 | ||
| 화이트 밸런스 |
자동, 프리셋 (태양광, 그늘, 흐림, 텅스텐 광, 백색 형광등, 플래시), 사용자 정의, 색 온도 설정 (2500-10000K) | ||
| 노이즈 감소 | 장시간 노출과 고감도 촬영에 적용 가능 | ||
| 자동 이미지 밝기 보정 | 자동 밝기 최적화 기능 | ||
| 하이라이트 톤 우선 | 가능 | ||
| 렌즈 주변 조도 보정 | 가능 | ||
| 뷰 파인더 | |||
| 형식 | 아이레벨 펜타프리즘 | ||
| 시계율 | 가로/세로 약 98% | ||
| 배율 | 약 0.71x (무한에서 50mm렌즈로 -1m-1) | ||
| 아이포인트 | 약 21 mm (-1m-1에서 접안 렌즈 중앙으로 부터) | ||
| 내장 시도 조절 | -3.0 - +1.0 m-1 (dpt) | ||
| 포커싱 스크린 | 교환 가능 (2 종류 별매), Eg-A 표준 포커싱 스크린 기본 제공 | ||
| 미러 | 퀵 리턴 타입 | ||
| 피사계 심도 미리보기 | 가능 | ||
| 오토포커스 | |||
| 형식 | TTL 2차 결상 위상차 검출 방식 | ||
| AF 포인트 | 9 + 6 AF 포인트 | ||
| 측광 범위 | EV -0.5 - 18 (23°C, ISO 100) | ||
| 초점 모드 | One-Shot AF, AI Servo AF, AI Focus AF, 수동 초점 (MF) | ||
| AF 보조광 | EOS 전용 외부 스피드라이트에 의한 발광 | ||
| AF 미세조정 | AF 미세 조정 가능 | ||
| 노출 제어 | |||
| 측광 모드 | - 35분할 TTL 풀 조리개 측광 (1) 평가 측광 (모든 AF 포인트에 연동) (2) 부분 측광 (중앙에서 뷰파인더의 약 8%) (3) 스팟 측광 (중앙에서 뷰파인더의 약 3.5%) (4) 중앙부 중점 평균 측광 | ||
| 측광 범위 | EV 1 - 20 (23°C, EF50mm f/1.4 USM 렌즈, ISO 100) | ||
| 노출 제어 | 프로그램 AE (완전 자동, 크리에이티브 자동, 프로그램), 셔터 우선 AE, 조리개 우선 AE, 수동 노출, 벌브 노출 | ||
| ISO 감도 범위 |
완전 자동, 크리에이티브 자동: ISO 100 - 3200이 자동으로 지정 | ||
| AE 잠금 |
자동: 초점이 맞았을 때 평가 측광으로 One-Shot AF 모드에서 적용 | ||
| 셔터 | |||
| 형식 | 전자 제어 방식의 포커 플래인 셔터 | ||
| 셔터스피드 |
1/8000 초에서 30 초, 벌브 (전체 셔터 스피드 범위. 가능한 범위는 촬영 모드에 따라 달라집니다.) | ||
| 외부 스피드라이트 | |||
| 호환 플래시 | EX 시리즈 스피드라이트 | ||
| 플래시 측광 | E-TTL II 오토플래시 | ||
| FE 잠금 | 가능 | ||
| PC 단자 | 제공 | ||
| 드라이브 시스템 | |||
| 드라이브 모드 | 싱글 촬영, 연속 촬영, 10 초 셀프 타이머/리모컨, 2초 셀프 타이머/리모컨 | ||
| 연속 촬영 속도 | 최대 초당 3.9 매 | ||
| 연속 촬영 횟수 |
JPEG Large/Fine: 약 78 매 (약 310 매), | ||
| LCD 모니터 | |||
| 형식 | TFT 칼라 액정 모니터 | ||
| 모니터 사이즈 | 3.0인치, 약 920,000 도트 (VGA) | ||
| 커버리지 | 약 100% | ||
| 밝기 조정 | 자동 (어둡게/표준/밝게), 수동 (7 레벨) | ||
| 인터페이스 언어 | 25개 언어 | ||
| 이미지 재생 | |||
| 이미지 디스플레이 형식 | 단일, 단일+정보 (이미지 기록 화질, 촬영 정보, 히스토그램), 4매 인덱스, 9매 인덱스, 이미지 회전 가능 | ||
| 하이라이트 경고 | 과다 노출된 하이라이트 영역이 점멸 | ||
| 줌 배율 | 약 1.5x - 10x | ||
| 이미지 표시 방식 | 단일 이미지, 이미지 10매나 100매, 화면, 촬영일, 폴더, 동영상, 사진 점프 | ||
| 동영상 재생 | 가능 (LCD 모니터, 영상/음성 OUT, HDMI OUT), 내장 스피커 | ||
| 라이브 뷰 촬영 | |||
| 촬영 모드 | 사진 촬영과 동영상 촬영 | ||
| 포커싱 |
퀵 모드 (위상차 검출 방식) | ||
| 측광 모드 | 이미지 센서에서 평가 측광 (사진)/ 중앙 중점 평균 측광 (동영상) | ||
| 측광 범위 | EV 0 - 20 (23°C, EF50mm f/1.4 USM 렌즈, ISO 100) | ||
| 저소음 촬영 | 제공 (사진 촬영) | ||
| 동영상 |
MOV (영상: H.264, 음성: Linear PCM) | ||
| 다이렉트 프린팅 | |||
| 호환 프린터 | PictBridge 호환 프린터 | ||
| 출력가능 이미지 | JPEG과 RAW 이미지 | ||
| 인쇄 명령 | DPOF 버전 1.1 호환 | ||
| 사용자 설정 | |||
| 사용자 정의 기능 | 25개 | ||
| 카메라 사용자 설정 | 모드 다이얼의 C1, C2와 C3 위치에 등록 | ||
| 인터페이스 | |||
| 디지털 단자 | PC 통신 및 다이렉트 프린트용 (Hi-Speed USB) 3.5mm 직경 | ||
| 음성/영상 출력 단자 | 스테레오 미니잭 (NTSC/PAL 선택 가능) | ||
|
HDMI mini OUT 단자 |
C 타입 (해상도 자동 변환) | ||
| 외부 마이크로폰 입력 단자 | 3.5mm 직경. 스테레오 미니잭 | ||
| 무선 리모컨 | 리모컨 컨트롤러 RC-1/RC-5 | ||
| 확장 시스템용 단자 | 무선 파일 트랜스미터 WFT-E4/E4A 연결용 | ||
| 리모트 컨트롤 단자 | N3 타입을 통한 리모트 컨트롤과 호환 | ||
| 전원 | |||
| 배터리 | 배터리 팩 LP-E6 (1개) | ||
| 배터리 정보 | 남은 용량, 촬영 횟수, 충전 성능 표시 | ||
|
배터리 수명 |
뷰파인더 촬영시:23°C에서 약 850매. 0°C에서 약 750매. 라이브 뷰 촬영시:23°C에서 약 200매. 0°C에서 약 180매. | ||
| 무게 |
* AC 전원은 AC 어댑터 키트 ACK-E6를 통해 사용할 수 있습니다. | ||
| 크기와 무게 | |||
| 크기(W x H x D) | 152 x 113.5 x 75 mm | ||
| 무게 | 약 810 g (본체) | ||
| 작동 환경 | |||
| 작동 온도 범위 | 0°C - 40°C | ||
| 작동 습도 | 85% 이하 | ||
| 배터리 팩 LP-E6 | |||
| 형식 | 재충전가능 리튬 이온 배터리 | ||
| 정격 입력 | 7.2V | ||
| 배터리 용량 | 1800 mAh | ||
| 작동 온도 범위 | 0°C - 40°C | ||
| 작동 습도 | 85% 이하 | ||
| 크기 (W x H x D) | 38.4 x 21 x 56.8 mm | ||
| 무게 | 약 80 g | ||
| 배터리 충전기 LC-E6E | |||
| 형식 | 배터리 팩 LP-E6 전용 충전기 | ||
| 전원 코드 길이 | 약 2m | ||
| 충전 시간 | 2시간 30분 | ||
| 정격 입력/출력 |
정격 입력 : 100-240V AC (50/60 Hz) | ||
| 작동 온도 범위 | 5°C - 40°C | ||
| 작동 습도 | 85% 이하 | ||
| 크기 (W x H x D) | 69 x 33 x 93 mm | ||
| 무게 | 약 125 g (전원 코드 제외) | ||
캐논의 새로운 5D Mark II 가
어떤 반항을 불러올지 기대 된다.
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